End notes

[1] Carmel Bird, Exit Queen Victoria. p167 Meanjin 2002
[1] Roger Sabin. Comics, Comix and Graphic Novels. A history of comic art. p.8, 9. Phaidon Press Inc. London. 1996
[1] Scott McCloud. Understanding Comics, the Invisible Art P.7 Kitchen Sink Press Inc. 1993
[1] Ibid., \p.30-41
[1] Sasha Grishin. Andrew Sibley, Art on the Fringe of Being. Craftsman House. 1993 p.8
[1]Ibid., p.8
[1] Ibid., p.8
[1] Ibid., p.8
[1] Ibid., p.39
[1] Ibid., p.39
[1] D. Bax. Hieronymus Bosch, his picture writing deciphered. A. A. Balkema, Rotterdam, 1978. p. XV
[1] Ibid. p.2
[1] Ibid. p370.
[1] Ibid p.16
[1] ibid p. 18
[1] Ibid. p. 18
[1] R. H. Marijnissen, M. Seidel, Bruegel. Artabras Book Published by Harrisson House 1984. p. 13
[1] Ibid. p. 17
[1] Ibid. p. 16,17
[1] Ibid. p.107
[1] Ibid. p. 43
[1] F. P. Thomson. Tapestry: Mirror of History. The Jacaranda Press 1980. p. 83
[1] Barty Phillips. Tapestry. Phiadon Press Limited. 1994. Frontispiece. Colour images of the Lady and the Unicorn tapestries.
[1] Henry Glassie. The Spirit of Folk Art, The Girard Collection at the Museum of International Folk Art. Harry. N. Abrams. Inc. Publishers, New York. 1989. p24
[1] Ibid. p. 26
[1] Ibid. p. 26
[1] Ibid. p. 31
[1] Ibid . p..36
[1] Ida Rodriguez-Prampolini. P.50 Erika Billeter. Images of Mexico, the Contribution of Mexico to 20th Century Art. Dallas Museum of Art, Dallas, Texas. 1987
[1] Ibid. p.50
[1] Ramon A. Gutierrez, Conjuring the Holy. Home Altars of Mexico, Dana Salvo. Thames and Hudson. 1997
Outsider Art
[1] Michel Thevoz. Art Brut. Booking International. 1995. p.11
[1] Roger Cardinal. Outsider Art. Preager Publishers, Inc. New York, 1972. p.14
[1]Ibid., p.15
[1]Rosemarie Garland Thomson. Introduction: From Wonder to Error- A Genealogy of Freak Discourse in Modernity. Freakery, Cultural Spectacles of the Extraordinary Body edited by Rosemarie Garland Thomson, New York University Press 1996. p.4
[1]Rosemarie Garland Thomson. p.4
[1] David A. Gerber, p.42
[1] Ibid. p.46 A soldier from the Second World War, Harold Russell had both hands amputated during military training, this statement was common amongst those who had suffered injury as freak shows were still in operation. Harold Russell went on to improve working rights for those also had suffered disabilities.
[1] David A. Gerber. The Careers of People Exhibited in Freak Shows: The Problem of Volition and Valorization. Freakery, Cultural Spectacles of the Extraordinary Body edited by Rosemarie Garland Thomson, New York University Press 1996. p.39
[1] David A. Gerber.p.39
[1] Ibid. p.39
[1] David A. Gerber. p.41
[1] Ibid. p39
[1]Ibid. p..39
[1] James Elkins. The object Stares Back. Simon and Schuster 1996. p.22
[1] ibid. p 11,12.
[1] Roger Cardinal. Outsider Art. Preager Publishers, Inc. New York, 1972 (general reference)
[1] Fred A. Lord. Little Big Top. p.23
[1] Andrew Topsfield. Court Painting in Rajasthan. Marg Publications. 2000